Historic Fiddle Linked to Robert Burns to Be Featured in Concerts

An 18th-century fiddle, historically connected to Robert Burns, is slated for use in two distinctive concert events. This instrument, known as the Gregg fiddle and thought to have belonged to the poet’s dance instructor, will be featured in performances at the OVO Hydro in Glasgow and Carnegie Hall in New York. Ewen Henderson and Duncan Chisholm, two of Scotland’s highly skilled musicians, will play the elaborately adorned instrument. Typically exhibited at the Robert Burns Birthplace Museum in Alloway, the fiddle will be lent through a partnership between the Hoolie in the Hydro concert series and the National Trust for Scotland. Originating from 1750, the Gregg fiddle was the property of William Gregg and is believed to have been utilized at the Bachelor’s Club in Tarbolton, a location where Burns was taking dance lessons. Currently, its use is restricted to only a few occasions annually. Previously, only Ayrshire-based fiddle players Alistair McCulloch, affiliated with the Royal Conservatoire Scotland, and David Moore, from the Ayrshire Fiddle Orchestra, had received authorization to play the instrument. Gary Innes, an organizer for Hoolie in the Hydro and a broadcaster, characterized the upcoming two performances as a “landmark occasion.” He further stated: “Robert Burns is an unparalleled figure within Scotland’s culture, so to be able to bring part of his legacy to the Hoolie stages, both at home and across the Atlantic, is remarkable. I hope it will create a moment of magic for both the musicians and our audiences.” Ali MacLeod, who serves as the Head of Fundraising at the National Trust for Scotland, commented that this collaboration would contribute to “celebrating the rich cultural heritage of Scotland.” She elaborated: “It’s a unique opportunity to blend entertainment with heritage, creating an enriching experience for all involved. By joining forces with the Hoolie events, we can make a significant impact on cultural preservation and engagement.” Duncan Chisholm expressed that he felt “incredibly honoured and proud” to perform with the instrument at the New York concert. Both Ewen and Duncan journeyed to the museum located in Alloway to familiarize themselves with the instrument’s complex playing techniques. The Hoolie in the Hydro event for the current year is scheduled for 7 December. Subsequently, the event will be held across the Atlantic the following year, forming part of New York’s Tartan Week festivities on 5 April.