Exploring a Secret Tunnel, a Bingo Hall Haunting, and the Author of Get Carter

The BBC’s Secret Lincolnshire podcast has explored questions such as whether a ghost inhabits a Skegness bingo hall and how a writer from Barton-upon-Humber revolutionized British crime writing, among other topics. The series delves into various subjects, including overlooked figures and captivating folk stories, like that of Kirkstead Abbey’s “missing” bugler. Below are three of the most compelling and lesser-known narratives examined over the last year. Additional content is available on BBC Sounds. Kirkstead Abbey currently stands as a fragmented ruin, a consequence of Henry VIII’s actions. However, a legend persists that a hidden tunnel connects the abbey to Tattershall Castle, and that an individual disappeared while investigating it. This raises questions about the veracity of the tale and its insights into the origins and dissemination of folk stories. Dr. Rory Waterman, head of the Lincolnshire Folk Tales Project, states that an underground canal previously existed in the vicinity, as depicted in 18th-century plans. The legend recounts that multiple individuals approached the tunnel’s entrance, and one descended with a bugle and his dog. Dr. Waterman explains, “He was going to blow the bugle if he got in any difficulty.” Following a considerable period, the bugle began to sound. Subsequently, the dog emerged, fleeing in terror across the fields. The bugle continued to play, but those above were afraid to pursue their companion. Dr. Waterman concludes, “Eventually the bugle stopped blowing and he was never seen again.” During its prime, the abbey was a substantial and vibrant complex. Its destruction occurred after the Lincolnshire Rising of 1536, leading to the execution of its final abbot and three monks. Dr. Waterman comments, “I don’t think there’s a body somewhere between here and Tattershall Castle underground in a tunnel.” He adds, “I think what is true is that there was a subterranean passage. I’d imagine there were lots of stories around what that might be and where it might go to.” The passage no longer exists, and over time, the narratives surrounding it have “got taller in the telling.” Dr. Waterman explains that folk tales originated as methods for explaining phenomena, providing entertainment, and issuing warnings. He states, “They’re not necessarily entirely made up – they’re created from real circumstances.” He characterizes them as “a gossip through the ages.” Bingo patrons in Skegness report that their hall is frequented by a “mischievous but friendly” entity. Constructed in 1887, the Roman Bank bingo hall previously served as a cinema. It is alleged that one of its original flip-up seats moves independently, suggesting a spectral movie-goer taking a seat. “Cyril,” as he is sometimes called, is described as a stout man with a very gruff voice. Staff members characterize him as “a bit of a joker” who enjoys relocating objects. Some individuals assert they have observed his shadow ascending the stairs to the balcony. Jason Beauchamp-Hughes, the general manager, was informed that Cyril was a projectionist and army volunteer, and his wife worked as an usherette. He states, “My staff have told me that they’ve experienced things.” He continues, “I’ve never really experienced it myself, but I find it fascinating that every time I work in an old cinema-style building, there’s a ghost story.” He speculates, “I suppose for a building that is dating back to 1887, the chances are there’s going to be something in there somewhere.” For those interested in investigating, Cyril’s seat is located on the balcony, “three rows down and four across.” He has been referred to as the “godfather of Brit noir” and among the “most important authors you’ve never heard of.” His accomplishments include contributing to a Beatles film and developing one of Michael Caine’s most memorable characters. Ted Lewis redefined British crime writing during the 1960s. His best-known novel, Jack’s Return Home, was adapted into the movie Get Carter. According to his biographer Nick Triplow, Lewis spent his formative years in Barton-upon-Humber, a period that significantly impacted his literary work. The novel’s conclusion takes place in dilapidated brickworks on the Humber foreshore, a setting that was relocated to Hartlepool for the film adaptation. Mr. Triplow states, “Lewis brings his own life and his own experiences into his writing.” He adds, “Some of the characters in Get Carter [are] named after people he knew in Barton at the time.” Lewis pursued studies at Hull College of Art and began journeying to London to attend jazz performances at Ronnie Scott’s. He relocated to the capital, completed his initial novel there, and in 1967, contributed to the animation for the Beatles’ Yellow Submarine movie. Mr. Triplow notes that he ultimately returned to his hometown to lead a “life of obscurity.” “It was the place where he was probably at his happiest,” Mr. Triplow remarks. He continues, “You can imagine on a very windy day, it’s very like the location that Mike Hodges would go on to choose for the end of Get Carter.” Lewis passed away in 1980 at the age of 42. That same year, his novel GBH, widely regarded by critics as his best work, was released. His childhood residence on Westfield Road is commemorated with a blue plaque. This house appears in multiple of his novels. Concurrently, the Ted Lewis Centre, situated on Ferriby Road, chronicles the author’s biography. His literary contributions are expected to be remembered and appreciated by future generations. Further podcast episodes are available on the Secret Lincolnshire page via BBC Sounds. Listen to Lincolnshire highlights on BBC Sounds, view the most recent Look North episode, or submit a story you believe warrants coverage here. Copyright 2024 BBC. All rights reserved. The BBC bears no responsibility for the content of external websites. 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