In 1989, an acclaimed artist designed a new central feature for a Nottinghamshire town, with expectations that it would be widely appreciated, similar to iconic pieces like Trafalgar Square’s lions or the Angel of the North. However, it has instead become part of a group of controversial public artworks, alongside examples such as Michael Jackson’s statue outside Craven Cottage or the bronze bust of Cristiano Ronaldo. Tamar Feast of the Beeston Civic Society states that the sculpture, known locally as “the stump,” has consistently been regarded as undervalued and contentious. Although the artwork was recently relocated from Beeston Square to a new position in front of the Arc Cinema, it continues to elicit strong reactions, being simultaneously cherished and disliked by local residents. Denise Turner, 75, commented, “It was stupid when they had it [in the original location], and it’s even more stupid now.” She added, “It had water on it at one time, but all it did was make it go green.” The sculpture’s official name is the Water Head, and it originally incorporated water. This raises the question of how the Water Head came to be without its water feature. Paul Mason, who resided in Long Eaton, Derbyshire, at the time and passed away in 2006, created the sculpture. Broxtowe Borough Council commissioned it in 1989. Mr. Mason also produced the Leaf Stem sculpture, a similar piece for Nottingham City Council, which is still located in Lister Gate close to the Marks & Spencer store. David Manley, who collaborated closely with Mr. Mason for 25 years, explained that the Water Head was designed to encourage reflection on the natural world amidst an active urban environment. Mr. Manley noted that this was accomplished through its flowing water on genuine Italian marble; however, following its failure of water quality tests, the feature was permanently deactivated in 1994. Ms. Feast stated, “A lot of the controversy centres around that.” She further explained that the absence of water in the feature led people to question the sculpture’s intended purpose. Mr. Manley also attributed some of the issues to a general lack of appreciation for visual art. He remarked, “That’s always been the fate of public art in the UK, I put it down to the fact we’re a literary nation.” He added, “I blame William Shakespeare for all this, we’re not very visual people.” Following its deactivation, it was announced in July that the Water Head would be moved to facilitate the renovation of Beeston Square, a relocation that was finalized last month. Ms. Feast indicated that plans are in place to install a plaque alongside the artwork, aiming to mitigate its controversial nature by informing the public about its background. She elaborated, “There’s no description, no title, no plaque,” adding, “It’s very easy [for it] to just become part of the furniture.” Concurrently, Mr. Manley informed the BBC that Mr. Mason would have “relish[ed]” the ongoing discussion and contention if he were still alive. He described, “[Paul] was a working-class lad from Bolton. He’d buy somebody a pint and sit down with them and explain what his thinking and ideas were.” Mr. Manley concluded, “He was a warm, generous, character, so if at the end of it they said it was rubbish, he would say ‘fair enough’.” A council spokesperson stated that the sculpture’s new site would be landscaped with plants and bark, aiming to integrate the “stump” into an environment that better complements its arboreal aesthetic. An official unveiling is scheduled to occur during Beeston Light Night in January. Post navigation Museum of Liverpool Unveils Exhibition on Taveners Sweet Factory History Ashley Storrie Dedicates Bafta Win to Late Mother Janey Godley